THURSDAY, 5TH OCTOBER 06 |
14.00 |
Welcome |
Section I: Materiality of Sound |
14.15 |
Bernhard Siegert (Weimar): Erzklang. Kulturgeschichte als Signalanalyse |
15.00 |
Coffee-Break |
15.30 |
Peter Szendy (Paris, Nanterre): Klangfiguren (a Hit in the Lab) |
16.15 |
Julia Kursell (Berlin): Sound Objects |
FRIDAY, 6TH OCTOBER 06 |
Section II: Registration, Transmission, Transformation |
10.00 |
Florian Dombois (Bern): Das Muskeltelephon. Der unbekannte Auftakt der
Audifikation in den Jahren 1878-1883 |
10.45 |
Coffee-Break |
11.15 |
Henning Schmidgen (Berlin): Silence in the Laboratory. The History of
Sound-Proof Rooms |
12.00 |
Jonathan Sterne (Montreal): Cats and People in the Psychoacoustics Lab 1914-1930 |
12.45 |
Lunch |
14.30 |
Wolfgang Hagen (Berlin): The Resonance of the Voices. Some Epistemological
Remarks on the Radio-Voice |
15.15 |
Coffee-Break |
Section III: Experimental Aesthetics |
15.45 |
Douglas Kahn (Davis, CA): VLF and Musical Aesthetics |
16.30 |
Daniel Gethmann (Graz): Ästhetik des Signals |
SATURDAY, 7TH OCTOBER 06 |
10.00 |
Reinhart Meyer-Kalkus (Berlin): Sprechkunst im Berliner Lautarchiv 1920-1933 |
10.45 |
Coffee-Break |
11.15 |
Elena Ungeheuer (Berlin): Experimentalität als Modus des Ästhetischen.
Das Offene im Geschlossenen erproben? |
12.00 |
Lunch |
13.00 |
Myles Jackson (Salem, OR): Standardizing an Aesthetic Quality. Physicists,
Musicians, Instrument Makers and Concert Pitch in the Nineteenth Century |
13.45 |
Hans-Jörg Rheinberger (Berlin): Commentary |
|
Final Discussion |