Sounds of Science - Schall im Labor (1800-1930)
- Program -
| THURSDAY, 5TH OCTOBER 06 | |
| 14.00 | Welcome |
| Section I: Materiality of Sound | |
| 14.15 | Bernhard Siegert (Weimar): Erzklang. Kulturgeschichte als Signalanalyse |
| 15.00 | Coffee-Break |
| 15.30 | Peter Szendy (Paris, Nanterre): Klangfiguren (a Hit in the Lab) |
| 16.15 | Julia Kursell (Berlin): Sound Objects |
| FRIDAY, 6TH OCTOBER 06 | |
| Section II: Registration, Transmission, Transformation | |
| 10.00 | Florian Dombois (Bern): Das Muskeltelephon. Der unbekannte Auftakt der Audifikation in den Jahren 1878-1883 |
| 10.45 | Coffee-Break |
| 11.15 | Henning Schmidgen (Berlin): Silence in the Laboratory. The History of Sound-Proof Rooms |
| 12.00 | Jonathan Sterne (Montreal): Cats and People in the Psychoacoustics Lab 1914-1930 |
| 12.45 | Lunch |
| 14.30 | Wolfgang Hagen (Berlin): The Resonance of the Voices. Some Epistemological Remarks on the Radio-Voice |
| 15.15 | Coffee-Break |
| Section III: Experimental Aesthetics | |
| 15.45 | Douglas Kahn (Davis, CA): VLF and Musical Aesthetics |
| 16.30 | Daniel Gethmann (Graz): Ästhetik des Signals |
| SATURDAY, 7TH OCTOBER 06 | |
| 10.00 | Reinhart Meyer-Kalkus (Berlin): Sprechkunst im Berliner Lautarchiv 1920-1933 |
| 10.45 | Coffee-Break |
| 11.15 | Elena Ungeheuer (Berlin): Experimentalität als Modus des Ästhetischen. Das Offene im Geschlossenen erproben? |
| 12.00 | Lunch |
| 13.00 | Myles Jackson (Salem, OR): Standardizing an Aesthetic Quality. Physicists, Musicians, Instrument Makers and Concert Pitch in the Nineteenth Century |
| 13.45 | Hans-Jörg Rheinberger (Berlin): Commentary |
| Final Discussion | |
